Usamos cookies para ofrecerte una experiencia fiable y personalizada en ArtQuid. Al navegar por ArtQuid, aceptas nuestro uso de cookies.

Inicia sesión

  ¿Contraseña perdida?

¿Novedades en ArtQuid?

Abra una cuenta
Regístrate Venda sus obras
  1. Art Prints
  2. Pinturas
  3. Dibujos
  4. Fotos
  5. Artes digitales
  6. Temas
  7. Selección
  8. Más
Esta imagen que puede resultar ofensiva se encuentra oculta.
Usted puede definir en sus preferencias los grados de visibilidad:
Hacer clic aquí
   
Waiting on the Shelf

My graphite pencil drawing Wag the Dog - 26-09-21 was waiting on the shelf to be put into oil. After my last oil Slava Ukraini - 18-04-22 I thought I’d use another surrealist theme and why not? Since I started to do mostly oils two months ago I made mainly cubist paintings. Of course there are many roundistic drawings I have to transfer into oil. The ones with surrealist themes I consider to be another important aspect of my work. Therefor I surely don’t want to neglect them too much and see what might come on linen. Looking back at these drawings I see there’s always something to dust off or to alter, even to add.

Luministic Color Palette

Before the beginning it was clear to me I had to use a luministic color palette. The depiction simply was so chiaroscuro I soon realized, using color this time, happiness lies in purple and yellow. Maybe I also was triggered by a work of Herman Gouwe, called: ‘The Sower ‘. I saw it last week at Singer, Laren. I consider him some kind of best kept secret, maybe not fully recognized. The purple-pink-yellow color scheme simply is dashingly vibrant and made a hugh impression on me. It was the second painting of him I saw after ‘The Mower‘. Surely a master of light. A third reason was that in 2013 I made a pastel with the same color scheme. In the back of my mind I remembered the intention of using these exact colors in an oil painting one day. This was that day.

Easy Peasy

The painting almost painted itself, mainly transfering proportions and tonal values. For some reason the purple-yellow scheme fits me like a glove. I used mainly Old Holland Nickel Titanium and Schmincke Caeserian Purple. The latter was new to me but it is a beautiful reddish purple I could use very well for this one. Mixing the two got me beautiful brownish and orange-like pinks. I extended the scheme to some hints of Turmaline green and purples that tend to the blue side. Easy peasy, until so far.

Another Dog

Problems started in the lower back of the lady at hand. I found the depiction a bit boring, unlike the drawing. That can happen, crancking up scaling. From a distance the painting looks quite alright but closer it looked rather empthy. More was needed. Then I saw a second german shepherd popping out. Problem solved.

Oil on linen (70 X 100 cm)
Artist: Corné Akkers
Wag the Dog – 24-04-22
Arte del siglo XX,  Pinturas,  Oleo
Autor: Corné Akkers
2.5 x  177.8 x  254 cm  /   1 x  70 x  100 in
Peso 25 kg   /  55.12 lbs
Temas: Desnudo artístico  /   Origenes: Europa  /   Género: Surrealismo  /   Características: Firmado  /   Autenticidad: Original  /   Soportes: Sobre lienzo  /   Periodo: Contemporáneo  /  
 
Publicado: 25 de abril, 2022 / Modificado: 25 de abril, 2022
Copyright Corné Akkers Kunstwerken

 
Wag the Dog – 24-04-22
7.500 €  5.325 £  8.550 $ 
En venta
14
Corné Akkers Kunstwerken
Corné Akkers Kunstwerken
Artista Pintor 
Den Haag, Holanda
Ver más obras similares
Exponer una obra similar

Escoger un idioma

  1. Deutsch
  2. English
  3. Español
  4. Français